Grooves in the Deep: A Dive into the Latest Electronic Cuts

Crafting the Clockwork: The Art of Doubtingthomas

Doubtingthomas, hailing from France, is no stranger to the electronic music scene. With a discography that spans some of the most respected labels in the industry, his latest release "Clockwork" on the Canadian label Suleiman showcases a deep and techy vibe that's both sophisticated and grounded. Tracks like "Stop for a Minute" and "Syncopation 1992" demonstrate a masterful blend of dynamic percussion and lush synth lines, creating an immersive experience that's both hypnotizing and invigorating. Doubtingthomas' skill in creating stripped-back grooves that still pack a punch is evident throughout this release, solidifying his status as a producer who can craft tracks that resonate on dance floors and headphones alike.

Ross Kiser: Delving into the Catacombs of Sound

On the other side of the spectrum, Ross Kiser's "Catacombs" for Sublease Music reflects a maturation of sound that's both dark and minimal. Kiser's emphasis on synth work and textures over traditional drum and percussion elements results in tracks that are deep, rolling, and imbued with a sense of tension and release. This EP, including the standout tracks "Catacombs" and "Differently," showcases Kiser's ability to craft grooves that not only resonate with the listener but also command attention on the dance floor. His thoughtful approach to sound design and atmosphere creation marks a significant step forward in his evolution as an artist.

musclecars: Blending Beats and Generations with "Ha Ya! (Eternal Life)"

Finally, musclecars, the New York-based DJ/Producer duo, continues to turn heads with their unique approach to music. Their latest offering, "Ha Ya! (Eternal Life)" featuring Natalie Greffel, encapsulates their mission to blend genres and unite communities through music. With influences ranging from house to jazz, their track exudes a warmth and soulfulness that's increasingly rare in today's electronic music landscape. The duo's dedication to reviving the golden era of NY nightlife through their "Coloring Lessons" parties is a testament to their commitment to not just making music, but creating experiences that bring people together.

Crafting Creativity: Paperkraft's "Not c but k"

Krafting the Future: Paperkraft's Innovative Journey in 'Not c but k’

In the ever-evolving landscape of electronic music, Paperkraft emerges as an artist who blends retro sounds with futuristic beats, creating a sonic tapestry that is both nostalgic and forward-thinking. With a background steeped in both classical training and a passion for the avant-garde, Paperkraft has carved out a unique niche in the music scene. His journey through sound has been marked by an unyielding desire to explore and experiment, making each project a fresh adventure.

Paperkraft's discography is a testament to his versatility and innovation, seamlessly weaving together elements of ambient, techno, and experimental genres. His sound is characterized by lush soundscapes, intricate rhythms, and an adept use of digital and analog synthesizers, creating aural experiences that transport listeners to otherworldly dimensions. With each release, Paperkraft has honed their craft, pushing the boundaries of electronic music while maintaining a distinct signature sound that is immediately recognizable.

The latest EP, "Not c but k," is a six-track masterpiece that showcases Paperkraft's evolution as an artist and their mastery of sonic storytelling. The EP kicks off with "The Amazing Spaceman" a track that sets the tone with its hypnotic melodies and complex rhythms, inviting listeners into Paperkraft's meticulously crafted world. "Dizzy Disk" and "OK Corral" follow, each offering a distinct vibe – the former envelops you in a dreamy, dancefloor atmosphere, while the latter pulsates with retro beats and snappy samples. The production on the EP is top-notch, with each track meticulously layered and mixed, allowing the listener to discover new details with each listen.

Check out Paperkraft's EP "Not c but k" on Bandcamp at the following link: https://homagenewyork.bandcamp.com/album/not-c-but-k

New House music from Jizz, Audrey Powne, and Peter Vogelaar

Emerging from the vibrant electronic scene of Merida, Yucatan, Jizz brings his deep-rooted passion for house music to the forefront with "Vibe 96 (Remix by Drew Dapps)." This track encapsulates the essence of '90s house while infusing it with contemporary flair, showcasing Jizz's homage to the genre's pioneers like Frankie Knuckles. Drew Dapps elevates the original with his signature deep house touch, creating a soundscape that is both nostalgic and fresh. The remix features a compelling bassline and intricate synth patterns, making it an immersive listening experience. "Vibe 96" stands as a shining example of the rich electronic music movement thriving in Merida, proving that Jizz is an artist with a deep understanding of his musical roots and an eye for future trends.

Audrey Powne's "Feed the Fire (Atjazz Remix)" stands as a stunning testament to her versatility and innovation within the music scene. Remixed by the renowned Atjazz, aka, Martin Iveson, the track is reimagined into a lush landscape of deep house grooves and jazz-inflected soulfulness. Atjazz, known for his meticulous craft, weaves a complex tapestry of syncopated rhythms and warm, resonant bass lines, perfectly complementing Powne's smooth, emotive vocals. The remix elevates the original's soulful essence, infusing it with an electronic vibrancy that pulsates with life. This collaboration marries Powne's jazz/soul foundations with Atjazz's electronic mastery, creating a piece that's not only sonically pleasing but emotionally resonant. It's a track that showcases the power of musical fusion, bridging genres and eras with seamless precision. "Feed the Fire (Atjazz Remix)" is a glowing example of how contemporary remixes can honor and expand upon the original's spirit, making it a must-listen for aficionados of sophisticated electronic music.

"Let Love Happen" by Peter Vogelaar, featuring Cat Dowling, is a mesmerizing track that captures the essence of deep, emotive soundscapes. The collaboration between Vogelaar and Dowling is palpable, with Dowling's haunting vocals perfectly complementing Vogelaar's intricate production. The track seamlessly blends electronic elements with organic textures, creating a lush, immersive listening experience. The personal history between the two artists adds a layer of depth to the song, making it not just a musical piece but a narrative of reconnection and collaboration. The sound is a testament to Vogelaar's influences, incorporating the expansive, atmospheric qualities of artists like Bonobo and Christian Löffler. "Let Love Happen" stands out for its ability to evoke emotion while pushing the boundaries of genre, showcasing Vogelaar's skill in crafting tracks that are both innovative and deeply resonant. This track is a compelling addition to the electronic music landscape, inviting listeners to let love happen in its most sonically beautiful form.

Baalti’s debut album brings together contemporary dance music and old Indian records

Sampling nostalgic sounds from their past, the duo creates a signature spirited sound

Baalti is the debut release by the eponymous duo Mihir Chauhan and Jaiveer Singh. Based in San Francisco, the Indian collaboration team began working together to explore the legacy of old Indian records and incorporate that past into today’s dance music. With a mutual love of sample-based music, the two artists bring the sounds of their childhood into the context of club culture, pursuing a sense of nostalgia as they merge genres that include Gujarati folk, Hindustani classical, and Bengali Disco with percussion and playful groove sounds.

The debut is released from the label Krunk Kulture which previously featured Baalti’s track ‘Ustad’ in their 2021 compilation album Thandai – Flavours of the East.’ The label is based in Mumbai and began as India’s longest-running booking and events agency, operating since 2009, before branching out into becoming a record label in August 2020 when they debuted with the compilation Kaala Khatta – Flavours of the East, featuring artists from around the world. Releasing music that puts a modern take on traditional sound, other albums from Krunk Kulture include Back to You by Punch M., The Painter by Alboe, and Big Fishes by Merak.

The playful tone of Baalti shows that Chauhan and Singh don’t take themselves too seriously, and the artists created the whole album largely away from outside influence while utilizing minimal equipment. These parameters resulted in a specific sound that manages to merge awkward sounds and clips with a smooth lofi feel that incorporates their cultural backgrounds with a warm, dance energy. The EP features four tracks ‘Aame,’ ‘Ustad,’ ‘Kolkata ’78,’ and ‘Me & You & Rob from M.A.D.’ All of which bring a high energy, but each varies in its pace and source material, resulting in an album of eclectic playful clips immersed in an upbeat and rhythmic shape.

See more from the artists:

Bandcamp | Instagram | Spotify

Konrad Dycke finds his sound, with the Smooth & Staccato EP

Provided to YouTube by DistroKid Late Move · Konrad Dycke Smooth & Staccato ℗ sheppaяtøn Released on: 2020-04-11 Auto-generated by YouTube.

Konrad Dycke surrounded himself with music early on and never really stopped. At age 16 he had already begun producing music, taking inspiration from genres such as Dub, Chillout, Nu jazz and the iconic genre of German Krautrock. His drive to create and develop sound has led Dycke into the careers of piano teacher and sound engineer, keeping music the focus of his daily life.

Dycke began seriously establishing his presence in the electronic community around late 2015, working to create EPs with up-and-coming label Platform 7even, dropping the hypnotic class of deep house vibe the label was drawn to. Cultivating his personal brand of subtle bass lines and mixed house energies, Dycke spent the next couple of years working on a range of EPs, in which he collaborated with artists like Daniel Broesecke and Da.TO. When not releasing personal collections he’s been able to earn his credentials as an artist featured on variety LPs, making his way onto more than 20 albums.

2020 has seen a strong return to form, with the Smooth & Staccato EP. Three tracks of meticulously constructed minimal house cut with vocal samples that bring forth a curiously intensive pressure. It’s a release that demonstrates the genuine craftsmanship Dycke has developed over the years.

Grab the release on Bandcamp or stream it on Spotify.

Hear more from Konrad Dycke
Facebook / Soundcloud / Spotify

Minimal and deep with Romania's NTFO

‘Ro-minimal’ is the often used term to describe the unique blend of minimal techno and micro house crafted within Romania’s boarders. Pioneering DJ / producers Rhadoo, Inspirescu and Raresh worked within a tight knit community to build early iterations of the sound throughout the 90s and 2000s. But it wasn’t until 2006 when the wider world began to take notice, thanks largely to Chilean-born techno trailblazer Ricardo Villalobos. Booked to play an event in Bucharest with Raresh as the opener, Villalobos was so impressed with the encyclopaedic musical knowledge of the local producer / DJ that upon returning to Germany he advised Cocoon (his booking agency at the time) to immediately add Raresh to the roster.

Then in 2007, a much-needed platform for the rapidly growing home-grown sound was created with ‘Sunwaves’ festival. A 5 day festival on the picturesque Black Sea Coast in Mamaia, it’s quickly garnered international attention for it’s excellent lineups, lengthy sets and passionate crowds.

As the Ro-minimal sound keeps evolving, it will no doubt continue to be characterized by it’s strong local community and eclectic, drawn-out sonic modulations. And today’s guests- NTFO, certainly fits the bill as being a continuation of this dynamic, minimal Romanian sound.

The duo’s recent release ‘Dobr’ serves as an excellent entry point not only into this unique minimal sub-genre, but also into their already rich personal discography. The EP opens with the title track ‘Dobr’ establishing the clean and technical approach that unfolds throughout release. With just the right amount of coloration within the mechanical framework, Dobr EP is a shining example of not only the underground electronic scene in this region of the world but also of two experienced musicians at the peak of the powers.

Grab the EP- vinyl and digital

Hear more from NTFO
Twitter
Facebook
Soundcloud
Spotify

A lofi house gem from Montreal's Moox

free download available! :)

It could be the chill of December, or those hearty dishes of smoked meat poutine, but Montreal lofi house producer ‘Moox’ has that special sound to keep you warm all winter long.

His regular uploads of laid back, head nodding house jams throughout 2018 have caught the attention of vibey youtube channel “Moskalus’ and San Francisco label ‘Routine Espresso Recordings'. Continually honing his hazy sound, this past year has seen a number of edits, free downloads, releases and collaborations hit the airwaves from the young Canadian producer.

His recent track ‘My House’ features a warm and welcoming bassline accented by some classic hi hats and percussion up top. Piano infused pads rise and fall to bring movement to the piece, while some cleverly placed vocal samples give a nice final touch.

Grab this little heater on a free download and stay toasty through the winter months.

Check out more from Moox
Facebook
Instagram
Twitter
Spotify
Soundcloud

Belgian producer Stereoclip goes back to basics with new track 'Day One''

With the plethora of sounds and production options at the fingertips of today’s digital musicians it’s no wonder that tracks can often get overcrowded and over-compressed. With TV and advertisements competing for our attention we are often bombarded with purposefully loud audio to grab our focus. While it is true that acoustically our ears often perceive ‘louder as better sounding’ there is often little room left for dynamics and fine details. Acclaimed American mastering engineer Bob Katz has even gone as far as saying “loudness is a drug.”

Nowhere is this more apparent than with the past couple decades of electronic music, where club-ready music often prioritized punch and loudness over dynamics and detail. Luckily for us the ‘loudness wars’ seem to be coming to an end, and as the dust settles we are finding more and more dynamic, uncluttered, and lush productions to soothe our battered ears.

Belgian producer ‘Stereoclip’ and his recent release ‘Day One’ certainly fit this description well, with the track maintaining a skillful balance between punch and dynamics. With just the right amount of high-quality raw ingredients, the track never feels cluttered or over-produced and instead floats with a kind of effortless groove. Delicate percussion dances in the stereo spectrum while thick analog synths twist and turn in the foreground. With more and more contemporary electronic music making use of a high dynamic range and a ‘less is more’ attitude we look forward to more producers taking this ‘back to the basics’ sonically-rich approach.

Support the release over on Beatport

Follow Stereoclip
Soundcloud
Spotify
Instagram
Facebook

A slice of 90s rave culture from Australia's Tunnel Vision

Tunnel Vision - Pay The Rent [CLIPP037] A kaleidoscope of nineties dance sounds from a time that he is simply too young to have seen… Tunnel Vision created a dreamy, deceptively dark representation of what it might of been to dance in the ‘golden era’ of rave culture. About clipp.art: clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Follow Tunnel Vision > @tunnelvision001 Join our fanclub and receive all past and future clipp.art stuff at clipp-art.bandcamp.com Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8 Subscribe to our Channels: Youtube - bit.ly/2o09yOu Spotify - spoti.fi/2EJMi0H Soundcloud - @clipp_art FB - facebook.com/clipp.art BandCamp - bit.ly/2LjbudJ Send Nudes 'N Tunes ☞ clippart001@gmail.com 000-919999-KETTY "WE CARE, BECAUSE U."

Growing up in Sydney’s Hardcore Punk scene, Australian producer ‘Tunnel Vision’ has always had a certain affinity for gritty distortion, driving rhythms and all around counterculture. But it wasn’t until he discovered electronic music and producing beats that he was able to fully distill his own unique version of melancholic melodies and lofi soundscapes.

"Pay The Rent" flirts within dark and ominous atmospheres as an entry point into the young producer's emotive world of house. Interested in creating audio collages of nineties rave culture with a modern house sound, ‘Pay The Rent’ pays homage to artists like Legowelt and Luca Lozano, with pounding breakbeats & moody chords, evolving into an upbeat acid vibe.

clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more. 

Support the release over on Bandcamp

Follow Tunnel Vision
Soundcloud
Insta

Follow Clipp.art
Soundcloud
Bandcamp
Spotify
Instagram
Website

Lofi vibe starter from Australia's Gold Coast

Darks - Fade in And Out [CLIPP036] Feel the breeze on your face, the dancefloor is just starting to warm up with this inviting track from Darks. Primo baseline and glossy synths = vibe starter. About clipp.art: clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more. Follow Darks > @darksdarksdarks - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Join our fanclub and receive all past and future clipp.art stuff at clipp-art.bandcamp.com Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8 Subscribe to our Channels: Youtube - bit.ly/2o09yOu Spotify - spoti.fi/2EJMi0H Soundcloud - @clipp_art FB - facebook.com/clipp.art BandCamp - bit.ly/2LjbudJ Send Nudes 'N Tunes ☞ clippart001@gmail.com 000-919999-KETTY "WE CARE, BECAUSE U."

If you like your beats hazy, vibey and irresistibly musical, then Australian producer ‘Darks’ is definitely someone who should be on your radar. Hailing from the sunny eastern shores of Australia’s ‘Gold Coast’, Darks’ music is combination of laid back synth-driven soundscapes and nostalgia-tinged aesthetics.

Utilizing a variety of both digital and analog tools in the studio, the young producer creates head bobbing dancefloor tunes that are versatile enough to also flick on for those chill evenings at home.

Case in point, the breezy dancefloor heater that is ‘Fade in and Out’ released earlier this month on Melbourne imprint Clipp Art. It’s 5 minutes of tape washed ‘Gold Coast’ vibes, surfing the pixelated waves on that cruisey 303 bassline with soft pads slowly rolling beachward.

Support the release over on Bandcamp

Follow Darks
Soundcloud
Spotify
Instagram

Follow Clipp Art
Soundcloud
Bandcamp
Spotify
Instagram
Website