HONGRUI draws out emotion, with new album ‘Dreamscapes and the Irreal’

Provided to YouTube by DistroKid That Faint Neon Light (Passing By) 霞 · HONGRUI Dreamscapes and the Irreal ℗ h.o.n.g. Released on: 2020-08-08 Auto-generated ...

Looking to the future while holding onto the past, HONGRUI creates a tribute to an uncertain region

‘Dreamscapes and the Irreal’ is a slow, ambient recreation of the Hong Kong landscape; paths traced through humid slopes and high rise towers. The album is the work of producer HONGRUI, whose own journey has taken him between the culturally charged cities of Hong Kong and London. A student of Fine Art and involved with a mixed variety of media including photography and film in addition to music, HONGRUI’s process of expression through sound carries a lightly nostalgic undertone, with melodies enchanting but ephemeral.

The past year, confused as it has been, brought a series of tracks from HONGRUI and saw the growth of his online platform and identity within the electronic community as he begins to work on sharing his gentle, ambient sound with those ready to hear it.

The recent album release is a significant part of that growth, with ‘Dreamscapes and the Irreal’ containing five tracks translated from the artist’s personal connection to the autonomous region of Hong Kong, the result being a fluctuating pool of sound, moved by influence from drone and given momentum by experiments in traditional and unconventional elements of sound.

Our featured track from the album, ‘That Faint Neon Light (Passing By) 霞’, is warm, human, and wandering.

Stream the single on Spotify

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Personal environments through a Lo-fi filter

https://brrwd.bandcamp.com/album/everything-was-beautiful on Cassette & Digital Photo by: Repeat Pattern

I’m often drawn to genres like chiptune, or vaporwave. I love how effectively artists manage to incorporate samples from the technology heavy environments they grew up in, reconstructing that personal, private atmosphere. Done properly, it can connect those isolated moments in our past to the experiences of others, creating this kind of ephemeral nostalgia.

In their new release ‘Isolation’, the artist Teams manages to beautifully integrate elements of these genres into a track which still falls firmly on the side of lo-fi. Deep warm vibes in the background support a multitude of handpicked samples, the diversity of which makes this a track which is easy to get lost in. The decision to also include some hi-fi and lo-fi vocal samples is effective, with the hi-fi keeping the track a little more grounded in reality and the lo-fi doing the opposite. Addition of Japanese and almost indecipherably soft sounds also produces that atmosphere of experiences half forgotten.

I feel like music that succeeds in hitting such a contemporary note eventually becomes harder to fully access, just as I can’t entirely appreciate a track like The Who’s ‘My Generation’. ‘Isolation’ is one of those tracks which manages to reproduce a very specific and personal environment.

Grab the cassette over on Bandcamp

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Do something Reckless this summer with Miami Horror

Summer is an exciting time of year. The intensity of life comes full force, encouraging us to feel first and think later. It’s intoxicating, irresistible, and energizing, so it’s no wonder that some of our strongest feelings of nostalgia are linked to this season. And just in time to feel the heat, Australian synth-pop group and summer festival staples Miami Horror have dropped a brand new single that is perfectly poised to capture everything that summer represents, entitled “Restless”

Funk guitars, warm synths, and syncopated drums open the track in familiar Miami Horror style, recalling their early days during the heyday of french electro and blog house, but soon we’re treated to guest vocalist Kevin Lavitt’s soft voice that instantly places the song within the realm of more contemporary artists working with 70s and 80s aesthetics. It’s a real testament to founding member Benjamin Plant’s ability to remain relevant to current trends without jettisoning the core of Miami Horror’s oeuvre. Lyrically, Lavitt ruminates on a feeling that we have all felt before: do they like me? Like, really like me? Of course it’s a bit cheesy, but say anything in the right voice and it goes from cheesy to romantic. And if indulging in your emotions isn’t a quintessential aspect of summer, then I don’t know what is.

Check out the full-on 70s inspired video for “Restless” above, and get yourself ready for some of that summer love.

— review by Autonomy

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