Makoto Nagata provides 'Depth' on his latest release

Japanese track-maker Makoto Nagata is a relative newcomer in the world of electronic music, having just released three singles this year before the latest collection - an eight tracker titled ‘Immersion’ in December.

Not that you would notice this by listening to his work though which spans the worlds of IDM, future garage, ambient, and downtempo - flitting between them with aplomb. Different moments on the record could quickly draw favourable comparisons with the likes of Jamie XX, Burial and Brian Eno - clearly Nagata is taking his musical cues from some top-drawer electronic icons.

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There are some real sonic pleasures on display throughout, but the pièce de résistance of this offering is nestled right in the middle of the collection and goes by the apt title: “Depth”.

It’s an unashamedly bustling track, where emotive breath noises and sound design elements circulate between floating Rhodes, dance beats, and driving bass lines in an elegant sound that is reminiscent of the early dance forays of Four tet. Around the mid way point a throbbing bass synth takes centre-stage before a steady rise brings the main themes back in once more with some pitched vocal snaps that could easily have been straight out of the Kieran Hebden playbook.

It’s an enjoyable listen that shows more than a touch of personality from the producer - balancing sensory stimulus and fun, expertly crammed into a smart package of just over three minutes.

Buy or stream ‘Immersion’

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Video game music maestro Chip Tanaka is back with his new album ‘Domingo’

Three years since his debut release, legendary Nintendo composer and chiptune maestro is back with his second album ‘Domingo’

In 1980, armed only with a degree in electronic engineering and an unlimited imagination Chip Tanaka set off as Nintendo’s in-house composer for 8 and 16 bit video games. Best known for his soundtracks in the classic games: Metroid, Earthbound and Super Mario Land, he has also written music for anime and TV and developed sound hardware for NES (Nintendo Entertainment System) and Game Boy. Tanaka was one of the key musicians that was featured in the mini-documentary series of influential Japanese game composers, ‘Diggin' In The Carts’. 

Featuring a colorful and quirky album cover, Tanaka released his debut album ‘Django’ under the music label Sporadic Vacuum in November 2017. His music is full of unpredictable sounds, largely influenced by reggae and dub, it has somehow blended in with the unique sound of Nintendo and rich chiptune stylings. 

His new release, ‘Domingo’ is composed of 11 conceptual pieces, each reminiscent of his childhood and the environment that surrounded him. The key theme being nostalgia for people and places that shaped him; imagery of the sea, night, space and retro computers. In his own words, “it is my own requiem of memory by creating the sensation of making something alive”. The new album includes a letter from Tanaka and a mysterious original sound source. 

Support the album on Bandcamp or stream it on Spotify.

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Kamupanerura offers gentle ambience, with ‘Teo’

Provided to YouTube by BIG UP! teo · kamupanerura teo ℗ no left turn records Released on: 2020-03-06 Composer: yuki nitta Auto-generated by YouTube.

Kamupanerura is composed of four members, bringing together a fusion of bass, guitar, drums, vocals and programming.  The group are based in the Japanese city of Kobe and their music takes root in the indie electronic scene of the country, harbouring a unique kind of sensitivity that seems run through the community of producers in Japan.

Their style has generally run along lines of experimental post rock, influenced by music created for cinema and incorporating electronica into their work to soften the organic edge to their music, replacing it with an infusion of something more dreamlike and melodic.

Their discography has been growing steadily; as has the attention they’ve been receiving both in their home country and overseas, with review sites in both Europe and the US taking note of their carefully put together sound. In particular Kamupanerura’s 3rd album ‘Balloons’ contained tracks which attracted acclaim, two of which were nominated for YouTube’s official music playlist in Japan.

Though Balloons is the bands most recent album, our featured track is from a little earlier on in the group’s history. ‘Teo’ is a track that manages to encapsulate Kamupanerura‘s favoured approach fairly succinctly, with meticulous guitar, delicate drum beats and a daydream electronic twist.

Stream the track on Spotify

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