Over 25 Artists Unite to Produce “For Ukraine Vol. 2,” a Benefit Compilation in Honor of Ukraine

After raising funds for the International Rescue Committee from the first volume released in March, another set of artists gathers their work to drive a second campaign

For Ukraine Volume 2 is the second album released by Headphone Commute as a fundraising campaign for Ukraine. The independent magazine of electronic, experimental, and instrumental music is donating proceeds to the International Rescue Committee in an effort to provide support and supplies to displaced families and children amid the war. After raising over $7,000 from Volume 1, Volume 2 releases 25 tracks from a new set of artists looking to do their part in supporting the country through its crisis.

Working on the song together over a distance, they sent recordings back and forth, producing a song that is an urgent cry for peace and healing.

The album features the work of artists including keyboardist and songwriter Ryuichi Sakamoto and acoustic and e-violin musician Illia Bondarenko. Other tracks include work by Melbourne-based composer Claire Deak; French composer and pianist Emilie Levienaise-Farrouch; and Slowdive’s drummer and ambient musician Simon Scott, among many others.

Volume 2 is distinguished by its first track, a new piece composed as a collaboration between Sakamoto and Bondarenko entitled “Piece for Illia.” Working on the song together over a distance, they sent recordings back and forth, producing a song that is an urgent cry for peace and healing. This song comes off the back of Bondarenko’s work, uniting musicians from a Ukrainian bomb shelter and organizing a violin piece where musicians from across the world played together at once, representing over 29 countries. The work of both artists is evident in the track; Sakamoto’s orchestral past and synthpop origins fuse with Bondarenko’s jazz, baroque, electronic, and classical influences.

To see more from the album, visit Bandcamp

Ukrainian musician 58918012 releases ‘Different Colors,’ an album of tranquil sounds

With a peaceful and spacious set of tracks, listeners are invited to question the present moment

58918012 is the electronic, ambient, and experimental music project of Ukrainian musician and blogger, Yurii Popov. Also featured as the guitar player for the metal band Nug, his solo work takes on a tranquility and peacefulness which, in combination with his band’s discography, shows an immense versatility. Popov also works under the alias noteaf for his lo-fi and chillhop music. His latest album within the 58918012 project, Different Colors, has been released amid the war in Ukraine. As an artist who uses music as true form of emotional and internal expression, Popov sees the art as one of the few sources of true happiness.

The album follows several other releases in the past two years, including the albums Needle Tip, and and fall through the time, which both featured a less tranquil set of songs than Different Colors. In 2021, he released 132,480 minutes and Signals, and finally, in 2020 he released Milestone and 60. As noteaf, he has released singles including “Night Call,” “Sweet Melancholy,” “Old Film,” and “Street Light” already this year. With a prolific discography thus far, Popov has demonstrated his adaptable and versatile musical capacity.

The tracks on Different Colors present a warmth and calmness which he sees as a pallet of colors that represent different emotions, moods, and experiences. Using a tape recorder, he attained an intimate and textural sound that results in a soft, floating lightness that seeks to bring balance, peace, and space. Given the political context of the present in Ukraine, the ambient tranquility of this sound has a gravitas that offers even stronger emotional power.

See more from the artist:

Spotify | Bandcamp | Instagram

Monochrome drone from Ukraine's Kuvallini

Kuvallini grew up between the factories and gates, on the frozen tundra of Siberia. He spent years travelling through places, reflecting on his own wandering path in life. These experiences have been boiled down into his own tunes which contain a neoclassical vibe, oscillating noise and swinging broken beats.

His new track ‘Exaltation’ happened from spontaneous improvisation with a piano and an old-fashioned Russian synthesizer called the ‘Lyra’ which mainly oscillates unpredictable noise and rhythm patterns. Everything was then processed through a vintage analog stereo spring reverb, the Korg GR-1. 

As Kuvallini explains: “most of the pads were recorded in reverse and added to the compressed piano with full wet reverb. The sweeping noise is just from a pedal called ‘Drone Thing’ by Electro-Faustus, which then went through a Vox wah controlled by my foot.” 

Giving ‘Exaltation’ a closer listen and a bit of patience leads to great rewards for the listener. At just over 8 minutes long the track really finds it’s stride after a few minutes in and unfolds into a moody atmosphere of film noir and dark brooding drones. Off kilter percussion gives the track a slightly dizzying feel as layers of noise encircle the cloud of sound.

Hear more deep and desolate drone from Kuvallini on the following platforms:
Soundcloud
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