On the brink of a new collection, Schofield draws on experienced ambience for a sweeping, experimental performance
The foundations of Nick Schofield’s new album took shape during the producer’s visits to Canada’s National Gallery in Ottawa. The interlacing of physical structure with the more ethereal aspects of the exhibitions left an impact, creating ripples which found formation within the soon to be released 11 track LP ‘Glass Gallery’.
Ambience influenced music is the sphere in which Schofield most commonly creates, though his discography has also had movements into drone and neo-classical. His solo career has seen Schofield develop music which falls back into the environment, utilising gentle sweeps of synth and melody which settle alongside found samples which bring to life natural elements. In a wider sense, his presence in the electronica community extends beyond his own work. Schofield hosts a radio show, actively collaborates with other artists, and has been involved with projects for organisations such as Red Bull Music Academy and CBC.
His latest collection arrives with the support of the Backward Music label, listening to the composition of these songs hints at the range of experimentation in ‘Glass Gallery’. While ‘Mirror Image’ plays with weightless melody, ‘Ambient Architect’ evolves patiently until the listener is encompassed.
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