Constantly in motion - Kumi Takahara shares elegant new video for 'Tide'

The first thing that comes to mind about Kumi Takahara’s new track ‘Tide’ is how it seems to have perfectly captured the essence of it’s namesake.

The opening ambient sounds give way to swirling, constantly moving interwoven string melodies that seem to drift from plaintive, to wondrous and uplifting, back and forth.

Delicate vocals and instrumentation build into an evolving and deep piece that does indeed remind of moving waters, and showcases a real talent in arranging and composition from Takahara, who it seems is under the influence of Phillip Glass. This of course is by no means a bad thing…

The accompanying video only adds to the experience of the music with natural imagery, soft focus, light patterns, and intriguing time lapse shots in a demonstration of elegance and taste.

There is a lot to like here and thankfully there is more to come as a debut album titled ‘See-Through’ is due for release February 24th also. Takahara describes it as “Introspective and expansive at the same time, — a collection of classical music with a contemporary spirit.” which seems apt based on the evidence so far.

For now ‘Tide’ is the only track available from the record, but if it is is anything to go by then the album should be a very interesting listen.

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Beyond The Hill's 'Granular Life' will turn your life into film

The debut EP from Japan’s 丘を越えて (Beyond The Hill), out now on 16:9 Recordings, is the perfect first release for a label ostensibly focusing on cinematic styles of music. 16:9 is of course the standard aspect ratio for High Definition digital video, and the EP’s title of ‘Granular Life’ is certainly evocative of one of the most distinct qualities of film, namely grain. But the title also goes beyond visual qualities, and can be taken more literally: these tracks were produced using granular synthesis techniques.

The opening track, Flicker Wind, (listen above) is a timeless ambient opener that would do well to accompany any number of tasks in daily life. It is at once precise in tone, and also flexible to interpretation. Think Boards of Canada in their more cinematic mode. The rest of the tracks on this EP only strengthen this comparison, expanding the Granular Life cinematic world in all directions. It’s a shame that such a carefully constructed world clocks in at under 15 minutes, just when you start to feel at home in its warm embrace. Nevertheless, it’s a strong first release from 16:9, and we’ll have to keep an eye on the label to see what they conjure up next.

Stream “Flicker Wind” above, and find the whole EP on 16:9 Recordings’ Bandcamp.

- review by autonomy

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Finnish film composer Kepa Lehtinen shares theremin serenade- 'Kontula'

Born in 1971 in Helsinki, Finland, Kepa Lehtinen has been deeply involved with music ever since he was a child. Whether it be pianos, synthesizers, theremins, drums or accordions, Kepa aimed to master his musical technique and develop his creative personality from a young age.

Eventually this led Kepa to pursue a full career in music which saw him first studying sound design at Aalto University in Helinski, and later appearing on countless film credits for his work as a composer, sound editor, and sound designer. His work has appeared across award winning Finnish titles such as Kimmo (TV series), Almost 18 (feature film), and A Stone Left Unturned (short).

This past April, Kepa released his first solo album entitled “Playing Theremin”, which fused analog synthesizers with the magic of the theremin. The result is a beautiful hybrid of organic and electronic elements; a sound as deliberate as it is delicate whereas even the smallest movements are felt by the listener.

Listen to the full album over on his Spotify

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