Sonic Cinema 39- Music videos from Joseph Shabason, Prince Josh, and Pablo Bolivar

"Jamie Thomas," Joseph Shabason's single, is a mesmerizing tribute to skateboarding icon Jamie Thomas. This track effortlessly marries jazz with the adrenaline-pumping essence of skateboarding. Shabason's expertly crafted composition mirrors the daredevil spirit of Thomas's skating, with a commanding rhythm that keeps you on the edge of your seat. The interplay of airy group melodies and a unique vibraphone twist captures the surreal feeling of skateboarding. Tight percussion adds precision, much like the finesse required in skateboarding. "Jamie Thomas" is an artistic celebration of the skateboarding world, translating the thrill and intensity of the sport into a captivating auditory experience.

Pre-order the album ‘Welcome To Hell’ over on Bandcamp

"Bring the Beat Back" by Prince Josh is a compelling sonic journey that showcases the artist's evolution. With a crisp, three-dimensional sound, it effortlessly blends the essence of early trip hop with modern influences like Burial. The track's hypnotic rhythms and intricate layers draw you in, creating an immersive listening experience. Prince Josh's musical prowess shines through, as he skillfully navigates this stylistic shift. "Bring the Beat Back" is a testament to his ability to adapt and innovate, leaving us eager to explore the sonic landscapes of his upcoming album. It's a fresh and captivating glimpse into the artist's creative evolution.

Pre-order the album ‘Moth’ over on Bandcamp

"Near Future" by Pablo Bolívar is a mesmerizing auditory journey that embodies his mastery of electronic music. The track's ethereal melodies and intricate rhythms pull you into a sonic landscape that feels both futuristic and nostalgic. Bolívar's production prowess shines, crafting a sonic tapestry that's rich in texture and depth. As the music unfolds, it evokes a sense of anticipation, as if you're stepping into a world on the cusp of something extraordinary. With "Near Future," Bolívar demonstrates his ability to transport listeners to a realm where time and sound meld seamlessly, creating an immersive and evocative experience.

Pre-order the album ‘Distances’ over on Bandcamp

New-age reflection, Joseph Shabason’s ‘The Fellowship’

From the album The Fellowship, available April 30, 2021.Pre-order / listen here: http://smarturl.it/vo1tgmDirector: Maxwell McCabe-LokosDirector of Photograp...

Shabason reveals the first step into an ambient jazz return to his emotional roots

Albums are often created to become more than a collection of tracks showcasing the talent and recent works of an artist. While there’s certainly a place for LPs which flirt with unconnected themes and ideas, listening to a set of tracks painstakingly woven together to explore the same concept can give rise to something greater than the sum of its parts.

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Such is the case in Joseph Shabason’s upcoming album ‘The Fellowship’, which brings to life the Toronto based artist’s upbringing in eight tracks of ambient new-age jazz. The full release is planned for late April, but promises to be a journey coloured by sparkling synth melody, warm drone vibes and carefully measured out amount of rich jazz percussion.

Expressing emotion and complex experience is a challenge for any creator, but Shabason approaches this project with ample experience. In addition to his work as a session musician, Shabason has lent his talents to the the Canadian rock band Destroyer, as well as synth-pop trio DIANA.

In the eponymous title track for ‘The Fellowship’, ambient jazz seeps into an open world; sometimes sharp edged and sometimes soft as a footstep. The artists Saxophone becomes the central character in a calm, curious space with broad horizons.

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