Hidden Orchestra's latest musical endeavor, "To Dream Is To Forget," is a captivating exploration that exemplifies the boundless creative spirit of composer and producer Joe Acheson. This album is a testament to Hidden Orchestra's genre-defying approach, seamlessly blending classical and electronic styles with acoustic instruments, drums, and a tapestry of field recordings and natural sounds. From the moment the first notes of 'Scatter' hit, it's clear that Acheson's attention to detail and unbridled creativity have once again converged to craft a sonic journey that is both intricate and expansive.

The album's richness lies in its ability to traverse diverse musical territories, encompassing elements of IDM, classical, dub, electronica, folk, post-rock, hip-hop, drum and bass, and jazz. Acheson's mastery of beat-driven soundtrack soundscapes creates a layered, emotive, and atmospheric listening experience. The inclusion of excerpts from George Gillespie's fujara performance and slowed-down zither chords adds an exotic and otherworldly dimension to the music. "To Dream Is To Forget" is a testament to Hidden Orchestra's ability to maintain their genre-agnostic ethos while pushing the boundaries of sonic exploration.

Hidden Orchestra's live performances are equally exceptional, featuring a core quartet with dueling drum kits, piano, violin, bass, and electronics. Guest musicians like trumpeter Phil Cardwell enhance the dynamic live experience. As showcased in their milestone gig at The Royal Albert Hall, their live shows are a visual and auditory spectacle, seamlessly complementing the complexity of their music. With "To Dream Is To Forget," Hidden Orchestra continues to defy musical conventions, offering an innovative and enthralling listening experience that captivates both the heart and the imagination.

Support Hidden Orchestra ‘To Dream is to Forget’ over on Bandcamp