There is a sense of resigned solitude on Semena Mertvykh’s debut EP. It’s a feeling not uncommon in Russian art, where Mertvykh hails from, and it fits quite well with the thick, syrupy detuned chords that sludge their way through the EP. Those chords, echoing the same analog synth patch techniques of Boards of Canada, are sometimes harmonic, sometimes slightly dissonant, but always lonely. Perhaps it makes sense, then, for Mertvykh to not only self-release this EP, but self-title it as well. Even in the video for ‘Decay’, the airiest of the tracks that reminds me of Dedekind Cut’s more recent work, not a single soul is visible. Clearly, this is music made for the self — self-reflection, self-evaluation, self-control, self-actualization. Watch the video for Decay above, and you’ll see. Just make sure to do it by yourself.
— review by autonomy
Semena Mertvykh on the web: