Robot Koch delivers an elevated piece of emotive electronica in 'Movement I'

Robot Koch is a Berlin born, Los Angeles based artist/composer who has cultivated a dream list of career achievements that would humble most successful artists these days. I could easily write pages about the gigs, collabs, labels, and awards but instead will leave this upto the inquisitive reader. I will however reference a quote from the late John Peel who described his music as “Strange and wonderful pop music from the future” because it’s a good segue into my impressions of his music. 

‘Movement I’ is simply a highly emotive piece of electronica that grabs you from the first note and wraps it's arms around you in the most intense embrace and doesn’t let go until it’s last phrase. The opening three repeating notes almost have the same reverence as a John Williams or Carpenter theme. There is something profound and transcendent about the repeating notes and their effect on our senses. While it would be easy to reference the impact of this kind of notation from such iconic, classic 70’s horror sound tracks it wouldn’t be an accurate comparison because these theme tunes are minimalistic and draw on a sparse sensibility to create tension and dread. ‘Movement I’ does quite the opposite, it creates warmth, melancholy and hope. Offset from the somber melody and opening urgency are lush layers of reversed vocals, soaring synth lines and flourishes of orchestral rapture that whisk you into a frenzy until it’s abrupt end. What you are left with is a piece of electronica that has the emotional range of a film score while being rooted in genre production styles that gives a piece of music like ‘Movement I’ that kind of awe that warrants all of the above dream list achievements. 

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