Tape-tinged techno from audio/visual creative- Daniel Brandt

London / Berlin based filmmaker, composer, and musician- Daniel Brandt, is set to release his second full length solo album ‘Channels’ on October 12th via London imprint- Erased Tapes. As co-founder of the infamous ‘Brandt Brauer Frick’ trio which has been dubbed by the BBC as “concert hall compositions for the clubbing generation”, Brandt is no stranger to intricate and impeccably executed studio productions and live music performances. As both a filmmaker and musician, this multi-disciplinary creative approach ensures an inventive and original artistic output where boundaries are blurred and inspiration spontaneous.

Take the most immersive, club-ready track ‘Sailboats III’ from the album for example. As Brandt explains:

“The song is named after a painting by Roy Lichtenstein which is not one of his typical ones but rather a kind of abstract cubist painting of sailboats on the sea. I wanted to make a song that feels like an electrified sailing voyage and tried to imitate the feeling of this imagined trip.”

This type of cross-disciplinary creative communication is a common thread throughout the album, with many of the tracks referencing rich visual palettes. The blossoming cosmos of ‘Cherry Dream’ is informed by Tangerine Dream’s iconic soundtrack to the film Risky Business, a compelling reinterpretation of Love On A Real Train replete with darker, electronic elements and live orchestration. ‘Daze’, co-written with guitarist Pascal Bideau, chimes with an acoustic melody and is carried by a rhythmic percussive pulse, whilst the understated ‘Ltd’ was stylistically inspired by Steve Reich’s Electric Counterpoint.

As we can see the album draws from a variety of sources and creative ideas, but still manages to remain original and organic, with an almost effortless spontaneity to it. Perhaps Lichtenstein said it best when he stated “Art doesn't transform. It just plain forms”.

Pre-order ‘Channels’ over on the Erased Tapes Bandcamp

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